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[biffh] Download Nordt fonts from Typesketchbook

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Nordt Nordt is a wide sans serif typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Nordt font family supports multiple languages and is available as both webfont and desktop font. Nordt Download Now View Gallery

[dtjvc] Download Rupert fonts from Nomad Fonts

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Rupert Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental. Rupert is a geometric sans-serif consisting of 8 weights , ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert ’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms. He's flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is... Rupert Light is free to download! So grab it now and begin building great work together. Rupert Download Now View Gallery

Azest fonts from Pesotsky Victor - (yaqym)

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Azest "AZEST" FONT — NEW, GROTESQUE This is a simple font, with a small number of accidental elements. The proportions are slightly stretched in width. One regular font. It can be put in interfaces or in communication materials, it will not be too active, but it will not slip into neutrality. Supports Cyrillic and some other scripts. Lowercase and uppercase characters, numbering, punctuation and diacritics, in general: all the necessary signs. Azest Download Now View Gallery

Trinidad Neue fonts from Sudaca Type Design Studio - (syrcx)

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Trinidad Neue Trinidad Neue ™️ is a geohumanistic typeface developed by the Chilean Type Design Studio Sudaca. The origin of this work lies in an exercise of comparing classic Roman proportions (Trajan Columns) with the capital letter set of Futura by Paul Renner. I wanted to create my own Sans Serif interpretation of classic proportions. I started working with letters A, H, N, O, R and S. When I finished the uppercase set, this exercise transformed itself into a project. I started to develop a set of lowercase letters choosing as direct references Futura and Kabel by Rudolph Koch; always having in mind that the objective was to find a balance between the humanist and the rational or geometric. Here is when this group is formed, giving its name and identity to this family: Paul, Rudolph & Alexis. The result is a typeface with an elegant, modern and versatile aspect. Its seven stylistic sets make Trinidad Neue ™️ into a Swiss army knife to compose short and medium texts for ed